Richard Herring AnswersÂ…
Posted on February 10, 2012
Â”There are many roles to comedy and sometimes itÂ’s just to be a silly arseÂ…Â”
Richard Herring has been a mainstay of alternative comedy since the early 90′s. YouÂ’ll recognise him as the Â‘HerringÂ’ half of Â‘Lee & HerringÂ’ for example. WeÂ’ve caught up with him mid-tour as he presents his new show Â‘What Is Love, Anyway?Â’ to discuss the art of being a comedian in the 21st century and his latest podcast offering Â‘Me1 vs. Me2 Snooker with Richard HerringÂ’.
Twitter is growing as a stage for comedy with the likes of Jimmy Carr, Chris Addison, and your good self using it as an almost continuous show. Peter Serafinowicz seldom tours yet he has over 604,000 followers. How important do you think social media is, not only in terms of growing an audience but also in trying out new material?
IÂ’ve found the internet generally a very rich forum for comedy over the last nine years. By giving out stuff for free you get new fans, many of whom are keen to see you when you are touring live or willing to buy a DVD. So any chance you get to show people that youÂ’re funny and let them know when youÂ’re in their town is a great help. I donÂ’t see it as a way of trying out new material Â– just a place to try and be amusing, but sometimes it will spark something that I might want to use later and it is helpful in ascertaining which blogs or ideas have hit home. My latest podcast Me1 vs Me2 snooker began as a silly time wasting exercise on Twitter. I would never have predicted how involved people would get.
Does promoting your shows via Twitter work? (for example you quite often say there are a few tickets on the door via tweets?)
I think it helps shift a few tickets, but I see Twitter as a information board as well, so I am just trying to let people know I am in their town (because they get annoyed if they find out theyÂ’ve missed me). People use Twitter for different reasons and I am trying to keep them all interested. Some want to know about gigs or merchandise or podcasts, others donÂ’t. So itÂ’s about trying to strike a balance.
You seem quite keen on using the internet as a means of communication Â– you often give out your email address in podcasts and writing and I suppose audience participation?
Yes. We always liked participation and feedback in this way, from our early radio shows onwards and we had website in 1995. Fist of Fun was like a social media site before they existed.
Do you follow Michael Winner? You Should.
Do ideas grow from this? Last week you were commentating on the QPR/Chelsea match based on the sounds you heard from your nearby home (Â‘a cheer Â– might have been an ironic one. Someone might have just done a bad shot or an inadequate bit of racismÂ…Â’) Surely something like that can be easily developed further?
Exactly as with the snooker thing. It might be, but it might not. I like the ephemeral nature of it all. I am doing something silly and hopefully fun, for the audience who happen to be around at that time. So itÂ’s as valid whether I do something else with it or not. Most great comedy happens in a room, in a moment that will never be repeated. Twitter is great for this. Some things become something else; others just remain glorious moments or madness.
How do you personally perceive the role of a comedian within society? Simon Munnery was famously reviewed by The Guardian as being the Â‘closest stand-up comedy gets to artÂ’ Â– do you see yourself as an artist?
There are similarities with art. You are showing people how you view the world in the hope that you can alter their view or at least make them look at stuff in a different way and question it. But I also think itÂ’s really important to make people laugh. I like to ask questions that promote post show discussion, rather than really attempt to give answers. But there are many roles to comedy and sometimes itÂ’s just to be a silly arse. But itÂ’s fun to do different things. The snooker podcast is more like an insane Beckett play than a comedy thing. And I think it would work in an art gallery. But hopefully itÂ’s making people laugh too.
Will you be appearing at Edinburgh again this year? Have you any particular shows youÂ’re keen to catch? Are there any new comedians that you are currently into?
I will be up in Edinburgh- I think I am going to have another crack at Â“Talking CockÂ” and the Â“Edinburgh Fringe PodcastÂ”. Increasingly I concentrate on my own stuff and relax in my downtime. I see less and less stuff every year. ItÂ’s a bit early to know who will be up there now. But Bridget Christie is always worth a gander and my soon to be wife Catie Wilkins is great too. IÂ’m currently enjoying Nick Helm, Joe Lycett, Lou Sanders.
WhatÂ’s the reception to your new Podcast been like? ItÂ’s essentially just a man playing Snooker with himself. In audio. Are there any plans to expand it? How did it come about?
Like I said, it was a Twitter thing really. I started playing myself in the dressing room at a venue in Preston which had a snooker table. It reminded me of the many hours I played myself at such games as a lonely child. This seemed to resonate. And I liked the way that characters developed and people took a preference for one player over the other. It felt ripe with possibility.
Me1 and Me2 (Me1 is in the grey waistcoatÂ…)
With that in mind we caught up with both Me1 and Me2, who were both having lunch at the time, for some quickfire questions in what is quite possibly a World ExclusiveÂ…
Height 5ft 6 and a half 170cm
Weight: Getting thinner (Ribena Light) Getting heavier (Alcohol)
Left or Right Handed: Righty Dexter
Snooker Influences: Steve Davis The Hurricane/The Whirlwind
Favourite Film: ItÂ’s a Wonderful Life The Hurricane
Favourite Book: Nick Hornby Charles Bukowski
Favourite Meal: M&S Superfood salad Cognac
Aims for 2012: 7 ball break Maximum break
Favourite Album: Anything by Simon & Garfunkel Never Mind The Bollocks
Describe your childhood:
Me1: Â‘Â’Idyllic, growing up in the countryside. Spending certain amount of time in lounge playing snooker. But mainly out in the Somerset fresh airÂ…Â’Â’
Me2: Â‘Â’I only remember playing snooker, Subutteo or tennis against my nemesis. All other time is dark and invisible as if I wasnÂ’t even thereÂ…Â’Â’
Richard is playing The Bloomsbury Theatre in London on the 30th & 31st March (full tour details hereÂ…) If you donÂ’t get to see Live Comedy often then this is one not to miss! You can also read Richard in The Metro and download the Me1 vs. Me2 Snooker podcasts here - It comes highly recommended!