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@Villyvarts ha, yeah. I thought that's what you meant  (1 day ago)

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FORTHCOMING EVENTS
RICHARD HERRING'S LEICESTER SQUARE THEATRE PODCAST: Another series of RHLSTP (rhlstp) will run from May 27th - July 1st.
May 27th - Chris Addison.
June 3rd Stephen Fry
June 10th Mary Beard and John Lloyd
June 17th Russell Brand
June 24th Edgar Wright and Mark Thomas
Other guests to be confirmed, but I am aiming for BIG names, so book now
GIGS: These are my upcoming gigs.
Click GIGS above for more details.
WE'RE ALL GOING TO DIE! unless otherwise stated
JUNE
19th Shepherd's Bush
25th Oxford
26th Camden
27th Islington
NEW DOWNLOADS/PRESS: 15/06/13 PRESS Gigglesbeat article about Meaning of Life
13/06/13 JOURNALISM/DOWNLOADS Telegraph piece about Podcast Possibilities
JOURNALISM Metro 68










EDINBURGH FRINGE 2013: Tickets are now on sale for both my Edinburgh Fringe shows. "We're All Going To Die!" is on at the Pleasance Beyond at 8pm Book here
Richard Herring's Edinburgh Fringe Podcast is at Stand 1 daily at 14.10. Book here
TALKING COCK TOUR: All the tour dates are now up on the Talking Cock page

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Press Archive
Sunday Telegraph article about Banter

Heard the one about Paul McCartney's wife?

(Filed: 12/02/2006)

Nathalie Haynes on untoppable jokes and the comedy routine that got her pulled off the air

I would like to offer praise to the unsung heroes of a radio recording - the studio audience. I love being on radio shows, but I would be lying if I said there was any possibility of getting me into the studio if it weren't for the money - and the biscuits in the green room. Yet, every time I record a programme, there is a room full of people who don't need to be bribed to sit in front of grandstanding comedians, all vying to get the best laughs, while secretly resenting the fact that they are having to share a stage at all.

Stand-ups have stringent rules about 'capping' jokes - if someone makes a gag and you top it for a bigger laugh, it's considered poor form. If you top it, and then follow up with the words, 'Sorry, mate - didn't mean to step on your laugh,' you are a) perpetrating the worst kind of insult, and b) still pretending to be common. Please get over it. The way to prevent this is to produce an untoppable joke, a contest incontrovertibly won by Richard Herring last month (Banter, Radio 4) with an unrepeatable but brilliant gag about the riddle of the Sphinx, and Paul McCartney's monopod wife.

The studio audience sits through a 90-minute recording for a 28-minute show. They have the good grace to applaud, and occasionally even cheer, in spite of the fact that they have heard this bit eight times already. When I asked an audience member why she was giving up her evening for the audible appreciation of others, she said that she enjoyed being in on the jokes that never make it to air. The best jokes never get past the censors because they are libellous, filthy, or because someone who works in an unseen cubicle has a vendetta against us.

I once had a routine pulled on the morning of broadcast. It was about committing suicide by inhaling helium (it kills in seven minutes, which is much quicker than a car exhaust. On the downside, you appear less than dignified if rescued: suicidally depressed, but with the voice of Minnie Mouse) and 11.02am was deemed an inappropriate time to advertise a suicide method. You would think that depressives wouldn't be listening to the radio at that hour, but rather watching Cash in the Attic, while boring forks into their left thighs.

Oddly, they replaced it with a joke about my fear that when chivalrous men hold doors open for me, they will bamboozle me, open a different door, and shut me into a cupboard - and who would blame them?

As I suspected, you will not hear the Sphinx joke. That one was just for the people who showed up.